![]() “Even though we originally completed the film in 2000 in NTSC for DVD release, there were a number of issues we couldn’t address back then, such as the fact that the filmmakers only had four days to complete the color grading for the film.” Colorist Matt McFarlane works on the DolbyVision grade for Star Trek: TDE’s 4K remaster. “It’s the completion of the film as Robert Wise had intended, if he’d had the time in 1979,” he explains. (Physical media will follow later in the year.) So we were thrilled when David agreed to take some time out of his crazy schedule to share how the process was going.Īs you’d expect, he’s pretty excited about the upcoming release, and was keen to discuss how the remastering process works. Fein and his team, the Director’s Edition will premiere to Star Trek fans around the world in fully-remastered 4K through Paramount’s new streaming service, Paramount+ on April 5th. Thanks, once more, to the efforts of producer David C. However, even though the original feature film made its way to both HD Bluray and 4K UHD, Star Trek: The Motion Picture Director’s Edition has languished in standard-definition NTSC for over 20 years.īut that’s finally set to change. ![]() The result was Star Trek: The Motion Picture Director’s Edition ( Star Trek: TDE for short), and it’s this special DVD edition that’s widely regarded by fans as being the true version of the movie. Fein-to create the version he’d always had in mind. The continued success of Star Trek also meant that, in 2001, Robert Wise returned to the cutting room-accompanied by producer David C. Fein, and Daren Dochterman on the sound stage for the Star Trek: TDE remaster. And its success held the door open for the massively successful franchise that we see today. Just the beginningįor any other movie, releasing a picture that most have described as unfinished-others have scathingly called it a workprint-after such a colossal overspend would have meant the end of all things.īut despite this, an eager fanbase managed to turn Star Trek: The Motion Picture into the fifth best-selling movie for that year. ( This article is a great place to start if you’d like to know the details.) In short, the production costs spiraled to an estimated $44M as everyone involved heroically tried to pull the pieces together in time for the film’s immovable launch date. ![]() Not quite Apocalypse Now-bad, but still far too many things to summarize here. (For context, Star Wars and Alien both had budgets of $11M.)Ī lot, as it turns out. The original cast was all on board (eventually), sci-fi was playing extremely well to audiences thanks to features like Close Encounters of the Third Kind and Star Wars, and Paramount had signed a huge check of $15M to cover the production. Robert Wise, director of West Side Story, The Sound of Music, and Star Trek: The Motion Picture. Sulu, lay in a courseĭirected by Robert Wise-whose credits included Oscars for directing West Side Story and The Sound of Music and a nomination for editing Citizen Kane-and produced by series creator Gene Roddenberry, Star Trek: The Motion Picture seemed like it would be a home run. (If you already know the story, feel free to skip ahead.) Mr. And looking back, it seems somehow inevitable that Star Trek: The Motion Picture would not only be made, but would ignite the demand for every Star Trek story told since.īut anyone familiar with Star Trek lore will tell you that the course plotted by the crew of the Enterprise on their first feature was far from smooth. Perhaps not a match for James Bond-who should maybe think about retiring now that he’s 60-but certainly on par with Mad Max and Alien, which were released in the same year. Even if you’re only counting from the first movie ( Star Trek: The Motion Picture, 1979), it’s still a healthy 43 years old. ![]() If you count the years from the first TV pilot for Star Trek ( The Cage, 1966), this much-loved franchise has been boldly going for an incredible 56 years.
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